Our name "The Seeing Place" is the literal translation of the Greek word theatron:
". . . the place where we go to understand ourselves."
Now in its 8th Season, The Seeing Place is an actor-driven company: built by actors and managed by actors to be a base for actors who want to grow & hone their craft in a creative and supportive artistic home. We are forcefully committed to four key elements of theatre-making:
We live up to our name by engaging our community in a vivid conversation about what makes us human. Connection. Learning. Humanity. That's what theater is all about.
The Seeing Place is an actor-driven company: built by actors and managed by actors to be a base for actors who want to hone their craft in a creative and supportive artistic home, resulting in unparalleled dedication and excellence.
Through private funding and public fundraising events / campaigns, The Seeing Place ensemble feverishly fundraises in advance of each production so that it can subsidize all ticket prices down to a low $15 per ticket.
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We also dedicate an immense amount of time developing our artists artistically. We have a bi-weekly reading series where we invite our actors (and those interested in our way of working) to collect in a room and read a play together. This allows us to build our ensemble and our knowledge of the theatrical canon and traditions passed down to us through many generations. We also present bi-weekly workshops where we offer our members advanced training in script analysis, acting technique, personal expression and character development. In our history our ensemble has workshopped three new plays, developed several new directors, and offered producing contracts to 4 solo performance artists to enable them to share their work with our audiences.
Since 2009 we've committed to subsidizing general admission tickets so that all audiences can enjoy live theater for less than the price of a movie. We also frequently offer free tickets to anyone that is not able to afford to see theater. This subsidization comes solely through the fundraising efforts of our ensemble - our members personally see to it that our art is accessible to all New Yorkers.
Finally, The Seeing Place is fervently involved with the community-at-large. We have successfully involved many outside communities in our play-making, ensuring their stories are being represented on our stage:
• We worked with several labor unions in this community throughout our 2011 production of Clifford Odets' WAITING FOR LEFTY, offering $5 tickets to any card-carrying union member.
• We have brought in many community leaders to give talkbacks for our socio-political productions of HOT CRIPPLE (focusing on the problems of health insurance in the United States), A LIE OF THE MIND (focusing on domestic violence and traumatic brain injuries) and FOR PROFIT (focusing on the Student Loan Debt Crisis).
While most other companies crave to create this kind of packaged, "represented" theater, The Seeing Place is an anomaly. Via our dedicated repertory ensemble of artists, we offer the New York community a high level of training and a commitment to the sociological aspect of theater. Working within a carefully crafted budget (without a dollar misspent), we're able to put heavy emphasis on the story being told, using modern interpretations to bring audience and ensemble together into a single, meaningful conversation that speaks to the times we're in NOW.
Our founding team created this company because we couldn't find another acting ensemble in New York that placed actors at the centerpiece of storytelling. There are many writer-driven ensembles and director-driven ensembles, but when it comes down to it, it's rare for an independent company to present published work for an acting ensemble to interpret freely. Published work - work that has been tested over time - allows the focus to rest mainly on the behavior between the people onstage.
• In 2016, The Seeing Place was honored with a summer residency at Off-Broadway's premiere destination for socially conscious theater - Culture Project. The Seeing Place's production of MACBETH was named a "Great Theatrical Moment of 2016" by Talkin' Broadway Critic Howard Miller, and the production was featured in TimeOut NY's "Best Off Off Broadway Shows" for the week of December 14, 2016.
• In 2015, The Seeing Place's dual productions of THE PILLOWMAN and GIDION'S KNOT were given an "Honorable Mention" in Manhattan With A Twist's "Top 10 Off and Off Off Broadway Productions of 2015" - describing the plays as, "a risk by an independent theater company that demanded our attention, and you should give it to them." The plays were also featured by the Huffington Post in an article titled, "The Weird and Wonderful Seeing Place: Top Shelf Live Theater at Rock Bottom Rates."
• In 2015, The Seeing Place's production of BOY GETS GIRL was named a "Best of 2015 in Off Broadway and Off Off Broadway Theater" by Talkin' Broadway critic Howard Miller. It, along with its companion piece BOYS' LIFE were also named "Theater Picks of the Week" by Dave Lefkowitz of Stage Buddy.
• In 2014, The Seeing Place's repertory productions of DYING CITY and TWO ROOMS were named "A deeply compelling and richly provocative theatrical venture" by Talkin' Broadway; and "An event unlike anything you've seen before" by New York Theatre Review.
• For our 5th Anniversary season (2013-2014) The Seeing Place was granted the rights to two rare revivals: MEN IN WHITE by Sidney Kingsley (Pulitzer Prize winner, 1934) and DYING CITY by Christopher Shinn (Pulitzer Prize finalist, 2008.) This was DYING CITY's first revival since its original run at Lincoln Center.
• In July 2013, The Seeing Place received a New York Innovative Theater award nomination for its production of DANNY AND THE DEEP BLUE SEA (Outstanding Lead Performance - Brandon Walker.)
• In March 2013 during its production of Sam Shepard's A LIE OF THE MIND, The Seeing Place partnered with the non-profit organizations Voices of Women and Identity Theater to hold talkbacks on the subjects of violence against women and living with traumatic brain injuries.
• In November of 2012 The Seeing Place’s production of LOVE SONG was named a “Good Odd” by Time Out NY and Cultural Capitol called it, “as close to perfect as LOVE SONG will get.”
• In August of 2012 The Seeing Place opened its first show Off-Broadway, with the extension of the critically acclaimed DANNY AND THE DEEP BLUE SEA (putting the production in contention for the prestigious Drama Desk Awards.)
• In July of 2012, The Examiner named The Seeing Place a "TOP PICK For Affordable Theater in New York."
• In February of 2012, the management team of The Seeing Place were individually named "People You Should Know" by Visible Soul.
• In September of 2011, The Seeing Place completed a successful fundraising campaign through Indiegogo, which enabled a full season of lowered ticket prices ($10-$12 General Admission) for their entire third season.
• Throughout 2011, The Seeing Place Theater's ensemble workshopped SCOTCH KISS, a new play developed entirely through improvisation. It received its first production in September of 2011.
• In March of 2011, The Seeing Place created a more comfortable home by spearheading renovations at The Sargent Theater at The American Theater of Actors.
• In October of 2010, LOOK BACK IN ANGER was named Critic's Pick for the French Quarterly in NYC.
• In February of 2010, The Seeing Place produced Hogan Gorman's one woman show, HOT CRIPPLE, which was attended by Perigree Trade Publishing, resulting in a book deal and major distribution in 2012.
• In September of 2009, The Seeing Place's inaugural show, THE CREDEAUX CANVAS, sold out it's first run, prompting a second sold-out run of the show. Playwright Keith Bunin enthusiastically attended the show, a coup for a brand new theater company.
"The Seeing Place Theater has proved to be a bold and spirited force in independent theater, producing thoughtful works that are timelessly relevant to our cultural moment... I’ve never seen a company that felt so present and so invested in their work..."
"I hope that The Seeing Place Theater continues to push the boundaries of theater in the off off Broadway community by producing thought-provoking, smart, and well-acted theatre. Oh, and tickets are only $12. You really can’t beat that.”
See more reviews by visiting our Press & Media Page.